I've been asked quite a bit to talk about building a strong children's illustration portfolio. I noticed a couple of other blogs have touched on the subject so figured it would be a good time to discuss it as well. (Links to their blogs are at the end of this entry.)
If you've done your research , you don't need me to tell you what your portfolio should consist of. It would be easier to just tell you about my journey. After much studying I came up with 3 main points that I felt I needed to achieve :
*Create a signature style
I want the editor to know it's "me" when a sample lands on their desk so I worked on developing a consistent style that was recognizable.
*Create work that I truly enjoy (10-12 solid pieces)
After fighting with myself (spent a long time frustrated that I wasn't the next Norman Rockwell) I decided to embrace the whimsy that comes naturally to me. I'm allowing myself to create pieces that are naive and simple. It makes me happy. =o)
I've found my work appeals most to toddlers to 8 years old so I'm honing in on that.
*Project professionalism
Again this came down to doing my homework, going to scbwi meetings and spending money on promotion. Initially hard for me to do because that meant that I had to believe in myself enough to validate the cost. But I found as soon as I started treating myself like an illustrator, work began to show up and editors started taking me seriously. As cliche as it sounds it's so true. You have to believe in yourself before anyone else will. You can rely on friends and family for that support only so far. Don't apologize for your work, EVER. Yet on the opposite end of the spectrum, overly boastful doesn't work either (heard this at a conference). I found simply owning who I am has worked the best, warts and all.
To be honest with you , I am so bored with the work I have in my portfolio right now and the pieces aren't that old! I'm sure it's because I've learned a lot this year and I'm moving to the "next level".
What am I learning? Perspective and interaction.
At my last scbwi conference I had my first 'real' portfolio review. If you have an opportunity to do this, please go for it. It's scary and you feel vulnerable but it's so worth it. You may not agree with everything they say but try to absorb it with an open mind. I've noticed the things that we become the most defensive about are actually the things we truly need to work on. The comment that affected me the most was that my work is too linear. My lines are too horizontal / vertical, not dynamic. Suggestion: Vary perspective.
Later on that same month, a well established illustration rep showed interest in my felt work. Her suggestions were similar. Work needs to be more dynamic, pieces are too presentational (where the characters are facing front too much). Many pieces show action but not as much interaction.
So I'm busily working on these two aspects, wish me luck!
Heather Powers of Humblearts just came back from a conference and shares her experience. Go visit for a good read and some great insight!
Monica Lee is discussing the possibility of a group that can support eachother with building a strong portfolio(not just for the children's market). If this interests you, I'd recommend you post at her blog and let her know!
LAST WORD: Create several solid pieces that represent your heart and the work you want to be hired to do. But don't stop there. Our portfolios are never finished , It's ever evolving as we are so forget about trying to obtain that "happy ending" with your port. There's no such thing.
Happy illustrating!